You may have read my earlier post last fall about our good friend Rick's very aggressive cancer diagnosis. Over the last couple of months, a few tests have seemed to confirm that the chemo is working beyond all expectations. Rick's post today was just too exciting not to share...
"My CT Scan results are in. And they are great news! There is no direct evidence of cancer on the scans. One area that previously showed cancer is no longer picking up any evidence. The other area that previous showed cancer has shrunk for the 2nd scan in a row and is much less defined, meaning that it could be just inflammation or even scar tissue from the cancer dying. The radiologist did not feel confident enough to label it as cancer.
Tuesday, February 09, 2010
Monday, January 18, 2010
So far in 2010...
....we've been enjoying a schedule that is slightly slower than the exhausting pace of last fall. I'm not taking any classes this semester, so my 9 hour work week is a pleasant change for our whole family. Hopefully when summer arrives I'll be ready for that Lansing commute again.
We've spent more time with friends and family, visiting Grandparents and hearing stories. We've even had a few quiet weekends at home, staying warm, playing hide-and-go-seek, reading books, doing puzzles, dancing around the living room, pretending, sipping 'tea' out of toy cups, making cake and tabouli in the pretend kitchen, and Ryan and I watching This American Life episodes during Sunday afternoon "nap-time" and foreign films on netflix at night on our laptop.
When Sophie is awake, life is exciting and exhausting and constantly surprising. Tonight, Ryan found the memory card for our camera precariously balancing on the toilet seat. Sophie had been potty training one of Maya's dolls and needed to snap a few photos for the baby book. Her vocabulary is expanding rapidly due to her assertive personality which requires her to articulate all day long what she needs and wants to do.... "I need dat." "Hode me momma." "I need juice!!" " I need meewk." "No, I do dat...I do it! ME!" And her new favorite phrase to yell in public if she wants freedom to run, "LET ME GO!" Unfortunately, she knows it's funny to all the strangers within hearing distance, so she smiles, repeating it louder and louder.
We've been eating lots of tabouli and hummus (Sophie's favorite food) when we need to remember how summer felt...or tasted. But we're also enjoying the warm winter roasts and stews and chili our slow cooker has provided. 
And since I'm thinking about food...Ryan and I have found a new addiction to a bowl of Korean soup called Jam Bong at the Egg Roll House. I think about it...and kim chi..all the time.
And since I'm thinking about food...Ryan and I have found a new addiction to a bowl of Korean soup called Jam Bong at the Egg Roll House. I think about it...and kim chi..all the time.

A little too frequently lately, Ryan and I split a bowl of this warm and spicy, seafood-filled broth with perfect noodles while Maya practices her chop-stick skills on rice and chicken and vegetables (and Sophie spreads rice all over the floor). I think we were actually there twice last week (it couldn't have been three times??).
In other news, Sophie is sleeping in her converted "Big Girl Bed" these days. She is pretty proud to climb in all by herself just like Maya. And, though she doesn't really use it, she's very serious about her new ownership of a pillow.
Thursday, December 10, 2009
The biggest problem with a 'people-pleasing' obsession
"We must continually remind ourselves that the first commandment requiring us to love God with all our heart, all our soul, and all our mind, is indeed the first. I wonder if we really believe this. it seems that in fact we live as if we should give as much of our heart, soul, and mind as posisble to our fellow human beings, while trying hard not to forget God...But Jesus claim is much more radical. He asks for a single-minded commitment to God and God alone. God wants all of our heart, all of our mind, and all of our soul."
--Henri J.M. Nouwen
Instead of walking in the continual presence of God, I often walk within the worry and sadness of my own (and sometimes others') perceived inadequacies, failures, relationships, and losses. In doing this, I disregard the love for us that God has so abundantly revealed in his coming. By choosing to walk in worry and doubt, concerned with the people around me (and all their worries, and fears, and expectations), I also ignore his command to walk in Him, to give him all of my heart, all of my soul, and all of my mind.
Today's advent reading from Matthew 22:34-38 (when Jesus tells the Pharisees about the most important commandment), challenges me to get rid of those old worries (and to deliberately choose one...to give up forever) in exchange for the "shelter of a loved and loving God."
Wednesday, December 09, 2009
We already had our 'fake' tree up...
...but Ryan took us to his childhood Christmas Tree farm for a snowy hayride, hot chocolate, and a fresh wreath for our front door.









In the midst of ethnomusicology research papers, Christmas program planning, church choir rehearsals, business trips, and the cleaning, and 'stuff'...we're loving all the Advent and Christmas traditions that are feeling more and more permanent in our family.
In the midst of ethnomusicology research papers, Christmas program planning, church choir rehearsals, business trips, and the cleaning, and 'stuff'...we're loving all the Advent and Christmas traditions that are feeling more and more permanent in our family.
Wednesday, November 18, 2009
Musical spontaneity remains
when children are not ‘redirected’ or ‘hampered’
by adult intervention.
They may not always need
our ‘approval’ or guidance
for making their music.
(paraphrased from the book "Songs in Their Heads" by Patricia Campbell)
Take out the first word 'musical' and insert...artistic, playful, creative, intellectual, social, linguistic, etc...
and the statement remains as convicting (at least for me.)
Wednesday, October 28, 2009
One more reason I teach and make music...
...lastly and most importantly, I believe, music and music education help develop a child’s sense of being, her consciousness, her ‘self.’ Madeleine L’Engle, who is best known as the award-winning author of A Wrinkle in Time, believes that one of the greatest responsibilities of educators is “to give the child a self.” Instead, educators, parents, coaches, administrators, and counselors often struggle to give them something drastically different (and I would argue, inferior), a ‘self-image.’ Is our culture’s preoccupation with giving children a ‘self-image’ a good idea?
By giving a child a self instead, we are not giving them “something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming. Being does mean becoming.” (Madeleine L’Engle, A Circle of Quiet)
This concept of ‘becoming,’ of having a self, of consciousness is a defining human capability. Overcoming the selfish self, the self-image, means that we are becoming more real, more human, more loving. We become more conscious and less self-conscious. Consciousness is authentic sensitivity, awareness of being. Self-consciousness is superficial, affected, and selfish. L’Engle explores this truth and its connection to creativity in A Circle of Quiet (one of my favorites of her non-fiction), “So, when we wholly concentrate, like a child in play, or an artist at work, then we share in the act of creating. We not only escape time, we also escape our self-conscious selves.”
By giving a child a self instead, we are not giving them “something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming. Being does mean becoming.” (Madeleine L’Engle, A Circle of Quiet)
This concept of ‘becoming,’ of having a self, of consciousness is a defining human capability. Overcoming the selfish self, the self-image, means that we are becoming more real, more human, more loving. We become more conscious and less self-conscious. Consciousness is authentic sensitivity, awareness of being. Self-consciousness is superficial, affected, and selfish. L’Engle explores this truth and its connection to creativity in A Circle of Quiet (one of my favorites of her non-fiction), “So, when we wholly concentrate, like a child in play, or an artist at work, then we share in the act of creating. We not only escape time, we also escape our self-conscious selves.”
Some reasons I teach and make music.
...the inherent and unique ability of music to bring order to consciousness for those who engage in ‘musicing.’ Just as writing helps bring clarity and order to my thinking...music also helps clarify my thoughts and feelings which cannot be expressed with words.
...music provides opportunities to experience “flow” (motivation which occurs when exciting challenges are perfectly balanced to match and extend ability) which spurs self-growth and self-knowledge.
...the distinctive power of music to “refine and extend” our ability to feel. By intensifying our felt experiences, music allows us to deepen our connections with the world around us, to broaden our capacity to love, and ultimately to strengthen and enrich our humanity.
I think these ideas capture a small (and somewhat cloudy) glimpse of the true masterpiece (the 'big picture') of the way that we were created to create...like our Creator so generously intended.
...music provides opportunities to experience “flow” (motivation which occurs when exciting challenges are perfectly balanced to match and extend ability) which spurs self-growth and self-knowledge.
...the distinctive power of music to “refine and extend” our ability to feel. By intensifying our felt experiences, music allows us to deepen our connections with the world around us, to broaden our capacity to love, and ultimately to strengthen and enrich our humanity.
I think these ideas capture a small (and somewhat cloudy) glimpse of the true masterpiece (the 'big picture') of the way that we were created to create...like our Creator so generously intended.
Wednesday, October 21, 2009
Heard you that shriek? It rose
So wildly on the air,
It seem'd as if a burden'd heart
Was breaking in despair.
Saw you those hands so sadly clasped --
The bowed and feeble head --
The shuddering of that fragile form --
That look of grief and dread?
Saw you the sad, imploring eye?
Its every glance was pain,
As if a storm of agony
Were sweeping through the brain.
She is a mother pale with fear,
Her boy clings to her side,
And in her kyrtle vainly tries
His trembling form to hide.
He is not hers, although she bore
For him a mother's pains;
He is not hers, although her blood
is coursing through his veins!
He is not hers, for cruel hands
May rudely tear apart
The only wreath of household love
That binds her breaking heart.
His love has been a joyous light
That o'er her pathway smiled,
A fountain gushing ever new,
Amid life's desert wild.
His lightest word has been a tone
Of music round her heart,
Their lives a streamlet blent in one --
Oh, Father! must they part?
They tear him from her circling arms,
Her last and fond embrace: --
Oh! never more may her sad eyes
Gaze on his mournful face.
No marvel, then, these bitter shrieks
Disturb the listening air;
She is a mother, and her heart
Is breaking in despair.
"The Slave Mother," by Frances Ellen Watkins Harper.
This week I transcribed (into musical notation) a recording of this poem. It brought me to tears several times. I could say much more...but I've just been writing too many papers instead.
So wildly on the air,
It seem'd as if a burden'd heart
Was breaking in despair.
Saw you those hands so sadly clasped --
The bowed and feeble head --
The shuddering of that fragile form --
That look of grief and dread?
Saw you the sad, imploring eye?
Its every glance was pain,
As if a storm of agony
Were sweeping through the brain.
She is a mother pale with fear,
Her boy clings to her side,
And in her kyrtle vainly tries
His trembling form to hide.
He is not hers, although she bore
For him a mother's pains;
He is not hers, although her blood
is coursing through his veins!
He is not hers, for cruel hands
May rudely tear apart
The only wreath of household love
That binds her breaking heart.
His love has been a joyous light
That o'er her pathway smiled,
A fountain gushing ever new,
Amid life's desert wild.
His lightest word has been a tone
Of music round her heart,
Their lives a streamlet blent in one --
Oh, Father! must they part?
They tear him from her circling arms,
Her last and fond embrace: --
Oh! never more may her sad eyes
Gaze on his mournful face.
No marvel, then, these bitter shrieks
Disturb the listening air;
She is a mother, and her heart
Is breaking in despair.
"The Slave Mother," by Frances Ellen Watkins Harper.
This week I transcribed (into musical notation) a recording of this poem. It brought me to tears several times. I could say much more...but I've just been writing too many papers instead.
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